Six Pieces. No. 6. Sentimental Valse

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Google Stumble. Pezzo Capriccioso, Op. Allegro non troppo. Aria: Allegro alla breve.

The Cello Sonata in D minor, Op. The opening melancholy music in the first movement expresses indecisive contemplation. Threads of melody increase in momentum, interweaving in an organic whole. Instead of one line of music, each phrase of neo-romantic dissonance rises in depth, retreating backwards rather than crashing against the shore.

Valse sentimentale, for piano (or violin & piano) in F minor, Op. 51/6

Thus, the music creates a qualitative build-up so one feels that they are caught in a whirlpool outside a line of successive events, conscious of a separate time and space, as the musician exists within the music. The second half of the first movement is performed with a muted cello as an echo of the first section. The melodic line itself is the echo, as it sounds like the opening music without the passionate propulsion.

In the commencement of the second movement, the interplay between a desperate dancing and foreboding melody in the cello and the waltz-like chords in the piano remind one of Solenus doing an intoxicated dance of unrestrained emotion. This repeated wave figure in the cello continues throughout this section.

The soft, sobbing cry of the cello melody in the slow third movement envelops the piano in a conjured liquid illusion of form and the dissonant piano chords contrast with the cello, emphasizing the melody. In the fourth movement, the previous material is recapitulated inconspicuously yet it retains its own character, full of humorous complexity and satire.


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Following the first statement, the chords in the piano repeat the subtle, dissonant quality from the second movement. The cello melody builds reminiscent of the first movement, yet contains a raw and sardonic quality.

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Six Pieces. No. 6. Sentimental Valse scored for Piano Solo

The cello strums chords in the style of a classical guitar and the piano has a melody like the end of a buffonic opera, finishing with a grandiose and unexpected run leading to a single staccato note. There is something to be said about transforming a choreographed ballet piece of music into a cello piece with piano.

Romantic philosophers, such as Shopenhauer, considered instrumental music to be the highest art form because of its existence, unhindered by visual images or words. This change of form occurred in when Stravinsky collaborated with the cellist Gregor Piatigorsky to change his ballet Pulcinella into the Suite Italienne, a five-movement work for cello and piano. That, combined with our love for Schubert's music, sparked the desire to musically arrange and finally discover Schubert's world, not only as listeners, but as performers.

We started out by arranging Moments Musicaux. I felt transported back to the time of Schubert and thought I was hearing pianos from his epoch.

A moment full of magical sounds. Dear customer, Due to move of our warehouse we are unfortunately not able to accept orders during the coming days.

We expect to be up-and-running again Wednesday November 27th.

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